2012 marks 100 years since the birth of legendary songwriter and political provocateur Woody Guthrie. In many ways it seems almost appropriate that this milestone should be reached as global institutions disintegrate around us and protestors are taking to the streets of cities across the planet.

To mark the centenary in more customary ways, a number of projects and performances have been planned. One of these is New Multitudes, a new album of Woody Guthrie lyrics put to music written and performed by Americana stalwarts Jay Farrar (Son Volt), Anders Parker (Varnaline), Will Johnson (Centro-matic) and Yim Yames (My Morning Jacket).

Tim Stokes met up with former Uncle Tupelo front man and project leader Farrar on a sunny January day in west London to discuss the new album, the band’s first live performance at Celtic Connections, and the life and times of the great folk troubadour Woody Guthrie.

Lincoln Durham is a very interesting young man from the States, a one man band musician with a rasping voice and a very raw and rootsy new record, ‘The Shovel vs. The Howling Bones’. This is a very fine record that dives deeply into traditional southern American folk music, it’s earthy and has integrity. There’s no doubt that Durham will be a common feature in the U.K in the near future. Americana-UK took some time to talk to the debutant.

Fountains of Wayne have been around for over 15 years now and in that time have had a certain reputation from one particular song, yet their move to the Yep Roc label has heralded a change in direction which appealed to Americana UK Editor Mark Whitfield’s ears so much that he went to chat to Chris Collingwood and Adam Schlesinger before their recent London date about the new record and what influences might have affected it

Simone Felice isn’t the only exciting thing happening at Reveal this year but also Boo Hewerdine and Brooks Williams have nailed themselves together almost like some kind of super group duo to release a brand new record. Sounds like they should be wearing masks and capes! Both have glittering and extensive careers, established musical pedigrees not to mention song writing credits. Can you have too much of a good thing? Of course not! Americana-UK snapped up the chance to talk to the dynamic duo.

Some artists stay around forever, they might collaborate from time to time, form new bands for one-off albums or tours or gently glide through their career flying their own flag high. Waits and Dylan jump to mind immediately, Neil Young and maybe Conor Oberst with his many guises. Who else will stand the test of time? Is Simone Felice one of those artists? Let’s face it. It’s probably looking that way!

Felice is certainly a man of strong spiritual charm, charisma (anyone who’s seen a live performance would agree I’m sure) and has already pioneered two of the biggest names in recent Americana. There is a new run of videos featuring ‘Hey Bobby Ray’, ‘New York Times’ and ‘Top Of The World’ which play on Felice’s character, and well worth a watch, almost portraying himself as a musical soothsayer or wandering shamen, either way it’s very endearing. Is this just part of the performance or more of a way of life? When someone’s music is as homegrown and natural as his, you’d think he was the real deal! But don’t be fooled, underneath this hippy exterior is a man with ambition and an intention of being around for a very long time.

Americana-UK got to ask Simone Felice a few questions about his already nomadic career and hopefully find out what makes him tick.

Breakaway solo projects seem to be a norm these days for frontmen and one that might not have necessarily been expected is of Craig Finn. There’s no doubt that Finn has taken his own style to ‘Clear Heart Full eyes’ and leans away from The Hold Steady but not too much, this still has everything that a die-hard fan would desire and have come to expect from Finn. Doesn’t the saying go something like? ‘You can take the boy out of The Hold Steady but...’ Americana-UK managed to grab just a few minutes with Mr. Finn to try and find out why he decided to step out on his own.